DEUTSCHE AKADEMIE DER WISSENSCHAFTEN UND KÜNSTE
DEUTSCHE AKADEMIE DER WISSENSCHAFTEN UND KÜNSTE
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Grundgesetz der Akademie

The Cosmic
Education Program

Introduction

Peter Hübner
Developer of the University

 

Faculty of
MEDICAL SCIENCES

Leading Thoughts

Logical Path - Theory

Logical Path -Practice

Scientific Research

CURRICULUM

Theoretical Fundamentals

Nature’s Laws of
Harmony in the
Microcosm of Music

MUSIC + BRAIN
Part 1   •   Part 2

Chronomedicine

Music as a Harmonic
Medical Data Carrier

The Special Status of the
Ear in the Organism

The Ear as a
Medical Instrument

The Significance of the
Soul to Medicine

The Significance of
our Consciousness
to Medicine

The Significance of the
Soul to Human Evolution

The Future of Pharmaceutics

 

 

Medical Music
Preparations on CD

Astronomy of Mind EQ x IQ

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Peter Hübner – Nature’s Laws of Harmony in the Microcosm of Music



Intuitive Research of the Microcosm of Music


Our great classical sound creators then also pursued new intuitive methods, and their previous systematic inner realisation and application of the natural laws of harmony of the microcosm of music we nowadays call our “History of Music”. And musicology pursues the empirical scientific method with the help of large special laboratories.





Our European history of music marks the way of intuitive research of the microcosm of music through our great classical sound creators.
This tradition was interrupted with the creation of twelve-tone music, and is today continued by the classical sound creator Peter Hübner.


The famous musicologist and as­trono­mer Johannes Kepler also reaffirmed that the paths of the stars follow the same laws of harmony as the inner sound paths or developments in the microcosm of music. Indeed, Kepler even originally calculated the planetary orbits on the basis of his music theo­reti­cal findings.


Applying the Laws of the
Microcosm of Music
to the Course of the Stars



Particularly in today's music, we must learn again to realise the democratic interplay of many rhythms. The natural microcosm of music does not know a rhythmical fixation or dictatorship of a certain nature – as, by the way, neither does the whole of nature.

Not even within an atom there seems to be structurally any kind of rhythmical dominance, but the influences of the individual oscillations seem to be continuously changing.

And if, for instance, every single of our human organs has its very own, but changeable rhythm – of which today's medical science has already recognised hundreds of different, changing basic rhythms – one still cannot talk of the rhythmical dominance of one of our organs compared to an other one, but in fast alternating change, sometimes this one, then the other one has the rhythmical dynamic upperhand.








“ ‘Natural’ music is music created intuitively ori­ented towards nature and in accordance with the laws of nature – mu­sic which originates in the composer and ac­cord­ingly in the in­ter­preter in unison with the laws of harmony and nature: completely play­fully and without any effort whatsoever.”