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The Structure of the Fields of Cognition in Music
The Unenlivened Nature in Music
The tones
4.
4,
5,
11.
20,
21,
18.
32,
33
represent the world of the unenlivened nature
5.
7,
8,
6.
11,
7.
12,
8.
13,
9.
14,
10.
17,
18,
15.
25,
16.
26,
17.
29,
30
7.
12,
8.
13,
15.
25
4,
6-9,
11,
15-21
6.
11,
7.
12,
8.
13,
9.
14,
15.
25,
16.
26
5.
9,
6.
10,
11,
7.
12,
8.
13,
9.
14,
15,
10.
16,
15.
25,
16.
26,
27,
17.
28
1.-3.
3,
11.
21,
12.-14.
22,
18.
33,
19.
34
1.-3.
2,
3,
12.-14.
22,
23,
19.-21.
34,
35
4.
4,
5,
11.
20,
21,
18.
32,
33
just as, for example, physics and chemistry circumscribe it with words.
Thereat, in the musical sound-space, music represents this unenlivened sphere of nature directly while physics and chemistry, for example, only describe it, circumscribe it with words, which lack the character of an illustration.