DEUTSCHE AKADEMIE DER WISSENSCHAFTEN UND KÜNSTE
DEUTSCHE AKADEMIE DER WISSENSCHAFTEN UND KÜNSTE
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE
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Grundgesetz der Akademie

The Cosmic
Education Program

Introduction

Academic Institutes

Peter Hübner
Developer of the University

 

Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

XI.
INDIRECT AND DIRECT
GAINING KNOWLEDGE
IN MUSIC

Ancient Truths in Music

The Golden Net of
Knowledge in Music

The Great Musical
Sense of Achievement

The Organs of Cognition in the Process of Gaining
Knowledge in Music

Necessity of the
Neurophysiological
Integration

The Performance of the
Self-Awareness in the
Musical Process of
Knowing

The Self-Awareness
Systematically Practises
Self-Identification

Insight into the Basis
of Music

Fundamentals of
Modern Musicology

Limitations of Conventional
Musical Education

Increase of Performance
of the Intellect in Music

The Eigenfunction of
the Intellect as the
True Musical Creator

The Journey to the Eternal Sources of Music

The Highest Intellectual
Achievement
Possible to Man

Authentic Successful
Musicology

The Music Listener
at the Origin of All
Creative Thinking

Purposeful Development
of Performance in the
Field of our
Neurophysiology

The Musician and His
Surroundings

The True Organs of
Finding Truth in Music

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

International Experts

Educational Program
Health

Scientific Research

International Media

International Congresses

Membership

Application to the Academy

 

 






UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition
.
 
PART   XI
     
 
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC
     
         
 
The Self-Awareness Systematically Practises Self-Identification


   
 
For an in­crease of per­form­ance in our mu­si­cal hear­ing our self-con­scious­ness is there­fore the first sta­tion.

 
The Increase of Performance of Musical Knowing Starts with the Self-Consciousness
 
 
Our self-aware­ness must be trained sys­tem­ati­cally to iden­tify it­self with it­self – to know it­self, to know its in­fi­nitely mani­fold, ex­tremely flexi­ble sound quali­ties.
As it prac­tises, our self-con­scious­ness must com­pre­hend its po­ten­tial to most per­fectly struc­ture the tone.

   
 
Com­pared to all other tools of cog­ni­tion, our self-con­scious­ness is that or­gan which by na­ture pos­sesses the larg­est de­gree of en­ergy and in­tel­li­gence.
This means that, within it­self, it has the po­ten­tial for the most com­plete struc­tural for­ma­tion of tones, as well as for the clar­ity of rep­re­sen­ta­tion, and for the com­plex in­te­grated struc­tural change of the tones.

 
The Self-Awareness as the Field of All Possibilities in Music
 
 
Within our self-con­scious­ness al­ready we find a vary­ing struc­tural den­sity.
If, in our self-aware­ness, lim­ited in­di­vid­ual aware­ness domi­nates cos­mic con­scious­ness – the unlim­ited, the uni­ver­sal self-aware­ness – then its av­er­age den­sity is lower.

 
Varying Structural Density in the Self-Consciousness
 
 
If the uni­ver­sal self-aware­ness domi­nates the lim­ited in­di­vid­ual one, then its av­er­age den­sity is higher.

   
 
So, cos­mic self-aware­ness in­cludes the po­ten­tial of the en­tire art of sound, while the in­di­vid­ual self-aware­ness in­cludes only the po­ten­tial for sin­gle mu­si­cal works.

   
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
                                     
                                     
                                     
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