DEUTSCHE AKADEMIE DER WISSENSCHAFTEN UND KÜNSTE
DEUTSCHE AKADEMIE DER WISSENSCHAFTEN UND KÜNSTE
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE
   Faculties:   Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts
. . .Deutsche Übersetzung in Arbeit



Home

Site Map

Grundgesetz der Akademie

The Cosmic
Education Program

Introduction

Peter Hübner
Developer of the University

 

Faculty of
MEDICAL SCIENCES

Leading Thoughts

Logical Path - Theory

Logical Path -Practice

Scientific Research

CURRICULUM

Theoretical Fundamentals

Nature’s Laws of
Harmony in the
Microcosm of Music

MUSIC + BRAIN
Part 1   •   Part 2

Chronomedicine

Music as a Harmonic
Medical Data Carrier

The Special Status of the
Ear in the Organism

The Ear as a
Medical Instrument

The Significance of the
Soul to Medicine

The Significance of
our Consciousness
to Medicine

The Significance of the
Soul to Human Evolution

The Future of Pharmaceutics

 

 

Medical Music
Preparations on CD

Astronomy of Mind EQ x IQ

Hall of Harmony

International Experts

Educational Program
Health

Scientific Research

International Media

International Congresses

Membership

Application to the Academy

 

 






Peter Hübner – Nature’s Laws of Harmony in the Microcosm of Music



Micro Music Laboratories®
Research in the Microcosm of Music






PYTHAGORAS

Physician, musicologist, mathematician,
founder of our scientific age –
he created the pre-conditions
for utilising
harmonically structured music
in medicine.






This is an ancient dream of mankind which we can discover in all known advanced cultures. And also in our European cultural area, the great Greek scholar Pythagoras already pointed out the fact approx. 500 years before Christ that a single tone has a varied and diverse inner life, an inner natural structural de­vel­op­ment.

And he claimed that the laws of harmony, which determine the natural evolution of this tone, were identical with those of bio­logi­cal life and the evolution of the cos­mos.1

In his famous school for the training of learned physicians, Pythagoras himself used and taught two methods for the re­ali­sa­tion and analysis of the microcosm of music, firstly:

the way of intuition: the inner mental, spontaneous understanding of the mi­cro­cosm of music and the fine tone de­vel­op­ments it possesses: the immediate inner creative experience of listening to the natural laws of harmony of the microcosm of music in operation2

and also:

the way of empirical realisation:
through outer scientific technical sound analysis
    
                                                                                          From the pioneering times of the Micro Music Laboratories®




1


For this also please see the publication of Prof. Dr. med. Gunther Hildebrandt:
“The Centre of the Rhythmical System – Chronobiological Aspects of Music Physiology”


2


For this also please see the study catalogue by Peter Hübner:
“Studies of Music – Studies of the Inner Human Powers”